Nate Niehaus by Toni Pérez

No.47, part of the "100 views of Mount Fuji" series, - Ogata Gekkō (1859-1920) - 1900.

no small beer

"The storm had been working up not for three days as he supposed, but for six years. It had brewed in the obscurities of being where no eye pierces, his surroundings had thickened it. It had burst and he had not died. The brilliancy of day was around him, he stood upon the mountain range that overshadows youth, he saw.
Hitherto - if human beings can be estimated - he had not been worth anyone's affection, but conventional, petty, treacherous to others, because to himself. Now he had the highest gift to offer. The idealism and the brutality that ran through boyhood had joined at last, and twined into love. No one might want such love, but he could not feel ashamed of it, because it was 'he' working through both. He still suffered, yet a sense of triumph came from elsewhere. Pain had shown him a niche behind the world's judgements, whither he could withdraw."
- E. M. Forster, Maurice (1971, posthumous)

Dear Britain.

We don't need a pardon.

We need an apology.

And financial compensations
whenever applicable.

A portrait of Oscar Wilde at Reading prison,
where he was jailed from 1895-97 for 'gross indecency'

Alan Turing (front) at Bosham in August 1939

In 1952 Turing pled guilty to a charge of public indecency, admitting he was in a homosexual
relationship with Arnold Murray. Offered the choice between prison and libido-reducing
injections, he opted for the latter. The chemical castration rendered him impotent, and
he is believed to have killed himself in 1954 by eating an apple laced with cyanide.

For authoritative information on Alan Turing, I strongly recommend reading Andrew Hodges'
remarkable biography Alan Turing: The Enigma. Unless you have received some
serious mathematical training (the author was Tutor in Mathematics at Wadham College,
Oxford University) you will need to skip some very obtuse paragraphs to access the core
of the book, namely the narration of a life made  miserable and unendurable at times,
and finally cut short by institutionalized prejudice and bigotry. Hodges' monumental work is a new 
kind of biography, with mathematics, science, computing, war history, philosophy, fundamental
physics and gay liberation woven in a single personal narrative.

"Maple leaves," Taki Katei (1830-1901)
From the series "Orders of colours," 1894.

How like it is to
A midwife's right hand–
Crimson maple leaf!


Ludwigmania : le train royal de Louis II de Bavière
au Musée des transports de Nuremberg

En 1876, le train royal comportait huit wagons. En dehors du wagon salon et du wagon panoramique, il y avait encore deux wagons pour le commissaire au voyage et la suite, un wagon pour les serviteurs, un wagon à bagages et deux wagons-cuisine. De ces six derniers wagons n'existent plus que des dessins.
On en sait peu sur les voyages de Louis II avec le train royal. C'est avec ce train qu'il réalisa en 1866 son voyage triomphal en Franconie. A cette époque le wagon salon était encore dans son ancien état et n'avait pas encore connu les transformations que nous pouvons voir aujourd'hui. D'autres voyages furent réalisés par le Roi qui souhaitait l'incognito et le train royal ne pouvait convenir à cet usage. Il voyagea alors dans des wagons servant au service ordinaire. En 1876, un train fut commandé qui devait servir aux voyages incognito.
En savoir plus : Munich and Co, 20 octobre 2016

Painting by R. Williams

Double Solitude
By Donald Hall

AT eighty-seven, I am solitary. I live by myself on one floor of the 1803 farmhouse where my family has lived since the Civil War. After my grandfather died, my grandmother Kate lived here alone. Her three daughters visited her. In 1975, Kate died at ninety-seven, and I took over. Forty-odd years later, I spend my days alone in one of two chairs. From an overstuffed blue chair in my living room I look out the window at the unpainted old barn, golden and empty of its cows and of Riley the horse. I look at a tulip; I look at snow. In the parlor’s mechanical chair, I write these paragraphs and dictate letters. I also watch television news, often without listening, and lie back in the enormous comfort of solitude. People want to come visit, but mostly I refuse them, preserving my continuous silence. Linda comes two nights a week. My two best male friends from New Hampshire, who live in Maine and Manhattan, seldom drop by. A few hours a week, Carole does my laundry and counts my pills and picks up after me. I look forward to her presence and feel relief when she leaves. Now and then, especially at night, solitude loses its soft power and loneliness takes over. I am grateful when solitude returns.
Born in 1928, I was an only child. During the Great Depression, there were many of us, and Spring Glen Elementary School was eight grades of children without siblings. From time to time I made a friend during childhood, but friendships never lasted long. Charlie Axel liked making model airplanes out of balsa wood and tissue. So did I, but I was clumsy and dripped cement onto wing paper. His models flew. Later, I collected stamps, and so did Frank Benedict. I got bored with stamps. In seventh and eighth grade, there were girls. I remember lying with Barbara Pope on her bed, fully clothed and apart while her mother looked in at us with anxiety. Most of the time, I liked staying alone after school, sitting in the shadowy living room. My mother was shopping or playing bridge with friends; my father added figures in his office; I daydreamed.
In summer, I left my Connecticut suburb to hay with my grandfather, on this New Hampshire farm. I watched him milk seven Holsteins morning and night. For lunch I made myself an onion sandwich—a thick slice between pieces of Wonder Bread. I’ve told about this sandwich before.
At fifteen, I went to Exeter for the last two years of high school. Exeter was academically difficult and made Harvard easy, but I hated it—five hundred identical boys living two to a room. Solitude was scarce, and I labored to find it. I took long walks alone, smoking cigars. I found myself a rare single room and remained there as much as I could, reading and writing. Saturday night, the rest of the school sat in the basketball arena, deliriously watching a movie. I remained in my room in solitary pleasure.
At college, dormitory suites had single and double bedrooms. For three years, I lived in one bedroom crowded with everything I owned. During my senior year, I managed to secure a single suite: bedroom and sitting room and bath. At Oxford, I had two rooms to myself. Everybody did. Then I had fellowships. Then I wrote books. Finally, to my distaste, I had to look for a job. With my first wife–people married young back then; we were twenty and twenty-three–I settled in Ann Arbor, teaching English literature at the University of Michigan. I loved walking up and down in the lecture hall, talking about Yeats and Joyce or reading aloud the poems of Thomas Hardy and Andrew Marvell. These pleasures were hardly solitary, but at home I spent the day in a tiny attic room, working on poems. My extremely intelligent wife was more mathematical than literary. We lived together and we grew apart. For the only time in my life, I cherished social gatherings: Ann Arbor’s culture of cocktail parties. I found myself looking forward to weekends, to crowded parties that permitted me distance from my marriage. There were two or three such occasions on Friday and more on Saturday, permitting couples to migrate from living room to living room. We flirted, we drank, we chatted–without remembering on Sunday what we said Saturday night.
After sixteen years of marriage, my wife and I divorced.
For five years I was alone again, but without the comfort of solitude. I exchanged the miseries of a bad marriage for the miseries of bourbon. I dated a girlfriend who drank two bottles of vodka a day. I dated three or four women a week, occasionally three in a day. My poems slackened and stopped. I tried to think that I lived in happy license. I didn’t.
Jane Kenyon was my student. She was smart, she wrote poems, she was funny and frank in class. I knew she lived in a dormitory near my house, so one night I asked her to housesit while I attended an hour-long meeting. (In Ann Arbor, it was the year of breaking and entering.) When I came home, we went to bed. We enjoyed each other, libertine liberty as much as pleasures of the flesh. Later I asked her to dinner, which in 1970 always included breakfast. We saw each other once a week, still dating others, then twice a week, then three or four times a week, and saw no one else. One night, we spoke of marriage. Quickly we changed the subject, because I was nineteen years older and, if we married, she would be a widow so long. We married in April, 1972. We lived in Ann Arbor three years, and in 1975 left Michigan for New Hampshire. She adored this old family house.
For almost twenty years, I woke before Jane and brought her coffee in bed. When she rose, she walked Gus the dog. Then each of us retreated to a workroom to write, at opposite ends of our two-story house. Mine was the ground floor in front, next to Route 4. Hers was the second floor in the rear, beside Ragged Mountain’s old pasture. In the separation of our double solitude, we each wrote poetry in the morning. We had lunch, eating sandwiches and walking around without speaking to each other. Afterward, we took a twenty-minute nap, gathering energy for the rest of the day, and woke to our daily fuck. Afterward I felt like cuddling, but Jane’s climax released her into energy. She hurried from bed to workroom.
For several hours afterward, I went back to work at my desk. Late in the afternoon, I read aloud to Jane for an hour. I read Wordsworth’s “Prelude,” Henry James’s “The Ambassadors” twice, the Old Testament, William Faulkner, more Henry James, seventeenth-century poets. Before supper I drank a beer and glanced at The New Yorker while Jane cooked, sipping a glass of wine. Slowly she made a delicious dinner—maybe veal cutlets with mushroom-and-garlic gravy, maybe summer’s asparagus from the bed across the street—then asked me to carry our plates to the table while she lit the candle. Through dinner we talked about our separate days.
Summer afternoons we spent beside Eagle Pond, on a bite-sized beach among frogs, mink, and beaver. Jane lay in the sun, tanning, while I read books in a canvas sling chair. Every now and then, we would dive into the pond. Sometimes, for an early supper, we broiled sausage on a hibachi. After twenty years of our remarkable marriage, living and writing together in double solitude, Jane died of leukemia at forty-seven, on April 22, 1995.
Now it is April 22, 2016, and Jane has been dead for more than two decades. Earlier this year, at eighty-seven, I grieved for her in a way I had never grieved before. I was sick and thought I was dying. Every day of her dying, I stayed by her side—a year and a half. It was miserable that Jane should die so young, and it was redemptive that I could be with her every hour of every day. Last January I grieved again, this time that she would not sit beside me as I died.
- Double Solitude was published in The New Yorker on October 15, 2016

Carson Aldridge by Horacio Hamlet for Vanity Teen Online

Photo tdg.artwork (more here)